American Repertory Theatre
 
Christina Baldwin as Carmen. Photo: Michal Daniel.

L'amour et la mort . . .

CARMEN

by Georges Bizet
libretto by Henri Meilhac
and Ludovic Halévy

music adaptation by Bradley Greenwald
directed by Dominique Serrand
music director Barbara Brooks

September 3 - October 8, 2005
at the Loeb Drama Center


Carmen Bookstore

ARTicles - cast - synopsis - photos - links & press

Passion and death are inseparably bound in Bizet's fiery drama of two men's love for a gypsy girl. Bizet was commissioned to write the three-act opera, based on Prosper Mérimée's similarly titled novel, in 1872 for the Paris Opéra-Comique. Despite its initial opening in Paris being met with incomprehension, Carmen now is an international classic and one of the most successful operas of all time - something the composer himself never got to witness as he died three months after its premiere. Carmen bewitches and seduces men, then discards them as easily as she does the cigarettes she makes. Her latest conquest, the soldier Don José, struggles to accept her fickleness, and when she leaves him for the handsome toreador Escamillo, the soldier's passion turns deadly. This timeless love triangle never fails to capture the imagination of audiences of all generations. From the vivacious Toreador Song to perhaps the most famous aria of all, "The Habanera," the rapturously melodic music of Carmen is more than unparalleled; it's unforgettable.

This uniquely intimate and theatrical Carmen extends our collaboration with Dominique Serrand (The Miser, Amerika) and the 2005 Tony Award-winning Theatre de la Jeune Lune, for whom opera is a natural development of their spectacular stagecraft. Mr. Serrand views the piece as one that demonstrates the struggle of morality vs. human desire and distills the essence of Bizet's grand pageant to create a potent and volatile chamber opera between the four principals, accompanied by dueling grand pianos. A sold-out hit in Minneapolis and winner of Outstanding Musical of 2003 by the Star Tribune, the production is now being restaged with A.R.T. actors, singers and dancers joining the Jeune Lune company, with a new set design for the Loeb Stage.

set design by Dominique Serrand
costume design by Sonya Berlovitz
lighting design by Marcus Dilliard
surtitles by Stephen Epp

Carmen is sung in French with English titles.
Running time is 2 1/2 hours, including one 15-minute intermission.

Produced in association with Theatre de la Jeune Lune. Production originally conceived by Christina Baldwin, Bradley Greenwald, Jennifer Baldwin Peden, Dominique Serrand and performed at Theatre de la Jeune Lune in the fall of 2003.

CAST

Carmen ... Christina Baldwin (mezzo-soprano)

chorus
Donna Baraket (mezzo-soprano)
Neal Ferreira (tenor)
Hayley Thompson-King (mezzo-soprano)
Robert Shutter (baritone)
Christine Teeters (soprano)

music director/piano
Barbara Brooks

piano
Kathy Kraulik

Don José ... Bradley Greenwald (baritone)
Micaëla/Frasquita ... Jennifer Baldwin Peden (soprano)
Escamillo/soldier ... Bill Murray (baritone)
Zuniga/The Guide ... Thomas Derrah
Dancaire/soldier ... Justin Madel (tenor)
Remendado/soldier ... Kelvin Chan (baritone)
Mercedes/cigarette girl ... Corissa White (mezzo-soprano)
Frasquita (Card Trio/
Morceau)
/cigarette girl
... Momoko Tanno (soprano)
Pastia/cigarette girl ... Madeline Cieslak (soprano)
Morales ... Dieter Bierbrauer (baritone)
child ... Fred Metzger (soprano)

SYNOPSIS

As lovers pursue each other with the dangerous grace of toreadors, morality and desire clash. Betrothed to Micaëla, Don José falls passionately in love with Carmen, a gypsy who works at the local cigarette factory. Spurred on by his desire, Don José soon abets in Carmen's escape from prison, deserts his army, and collaborates in the eponymous heroine's smuggling operation in the mountains. Despite Don José's sacrifices, Carmen begins to tire of her devoted but possessive lover and turns her attention to the bullfighter Escamillo. Don José begs Carmen to return to Seville with him, but she refuses. He responds with a final, violent act of passion.

PHOTOS

Click any thumbnail for a full-size image. Photos, first row: Dominque Serrand; others: Michal Daniel.

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CARMEN LINKS & PRESS

Order the poster by designer
Burt Sun via Zazzle.com.

"Amidst glorious singing, ever-creative Theatre de la Jeune Lune reworks Bizet's Carmen to fully exploit the emotion and drama of its plot and to give the most enthralling production of the opera that I have ever seen." -- Elizabeth Weir, Talkin' Broadway

"... a visually evocative show ... effectively conveys the environmental and emotional heat of Seville ... Sonya Berlovitz's costumes are brilliant both in color and execution ... Marcus Dilliard's lighting is almost a production unto itself..." -- St. Paul Pioneer Press

"Jeune Lune's opera productions are so intimate and immediate, watching them can make me feel like I'm eating crème brulée while sitting inside the dish. (Their) Carmen is an exquisite, bloody, palpable production..." -- Rohan Preston, Star Tribune

Special Thanks to Major Production Sponsors Cassandra and Horace Irvine

This page updated October 9, 2005
webmanager@amrep.org