American Repertory Theatre
 

Six Characters in Search of an Author

by Luigi Pirandello

Six Characters

adapted by Robert Brustein and the Company

directed by
Robert Brustein

set and costume design by
Michael Yeargan

lighting design adapted by
John Ambrosone

sound adapted by
Christopher Walker

Closed January 24, 1997
At the Loeb Drama Center

From the first shattering moment when the ethereal Six Characters in Search of an Author crossed the stage of the A.R.T., audiences across the U.S., and as far away as Europe and the Far East have been thrilled and haunted by these spectral beings. Pirandello's 20th-century masterpiece opens in a bare backstage area where the actors of the A.R.T. Company are rehearsing. Six people - who claim to be characters from a play abandoned by their author - make a sudden appearance and seek new life by asking the actors to enact their drama. Pirandello's brilliant exploration of the nature of reality versus illusion, truth versus artifice, and the workings of the creative process is being presented in a newly updated version.

 

Cast

THE COMPANY

Anthony Cistaro

. . . Anthony, the ASM

Scott Ripley

. . . Scott, the stage manager

Thomas Derrah

. . . Tommy, an actor

Jeremy Geidt

. . . Jeremy, the Senior Actor

Will LeBow

. . . Will, an actor

Charles Levin

. . . Chuck, an actor

Karen MacDonald

. . . Karen, an actor

THE CHARACTERS

David Ackroyd

. . . The Father

Marianne Owen

. . . The Mother

Monica Koskey

. . . The Stepdaughter

Benjamin Evett

. . . The Son

Joe Pasquale

. . . The Little Boy

Nicole Pasquale

. . . The Little Girl

Remo Airaldi

. . . Emilio Paz

 

 

Synopsis

The A.R.T. resident acting company is rehearsing their production of The King Stag. Their rehearsal is interrupted by a family who explain that they are characters from an unfinished dramatic work and ask permission to reenact a crucial moment in their lives, a moment from which the actors can fashion a finished play.

The actors agree, and the characters tell their story with much bickering and disagreement. No sooner do they begin to reconstruct the scene than tragedy strikes, however, leaving the assembled company to wonder which of the events they are witnessing are real and which are not. Caught in the irreconcilable clash between day-to-day reality and the reality of art, the director of the company bemoans a wasted day.

 

Related Link

The Brustein Version - A.R.T. News Preview Article

 

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This page updated January 27, 1997